My Kid and My Cat in Lockdown
Like most of you, I’ve been home during the Covid-19 thing. In addition to attempting to single-handedly run a professional office from home, I’m in the middle of a Harvard graduate seminar that is requiring insane amounts of work, and on top of that I’ve been consistently sick with some sort of viral thing (don’t even suggest Covid-19; my wife won’t hear of it, even though I started feeling bad after meeting family members in Florida for a family get together beginning of March, my brother coming from Albany, GA (subsequently known as Georgia’s Covid-19 hotspot), my mom coming from NYC. Coincidence?). Plus I’ve got to get a Car Sick book to at least 80 of you who have already paid for it. Throw in the fact that I’ve been suffering from a complete lack of inspiration, and it’s been, to put it mildly, an interesting last month or so.
I’m feeling much better, except for the cabin fever. Car Sick is now back on my radar. I’ve got a final draft and now am debating whether the photos should be printed greyscale or CMYK. If CYMK, then I’m going to have to redo all the photos to make sure they have the same tonal values. The publisher tells me CMYK is preferable; why I’m not sure, given printing greyscale would obviate the need to standardize tone between individual photos. Plus, as I’ve tried to explain to them, 1) I’m not Ansel Adams; and, 2) most of the photos were taken out of car windows.
As for photography-related activities, good documentarian I am, I’m taking pictures of the goings-on inside my house. Lot’s of cat pictures, as befits a Leicaphile. I’ve been periodically fighting the urge to buy a Monochrom just for the hell of it, but, of course, that’s not going to do anything but reinforce what I already know, which is that it isn’t about gear….except that it is. After having pondered the question for years now, I’ve concluded that my love of film photography is closely related to the specific ‘look’ of 35mm B&W and, to duplicate that look digitally, you need a decent APC-S sensor from the 6-8mp era. It’s going to give you the approximate resolution of 35mm film and the same approximate ISO sensitivity. And you need Silver Efex.I’m especially happy with the B&W output from the Fuji S5 Pro. Coupled with Sigma’s 30mm f1.4 ART lens its output gives really nice files you can turn ‘film-like’ with minimal effort. What would possibly be the purpose of a Monochrom then?