A few months ago I wrote a short post about, among other things, my realization that I owned way too many cameras – Leica film cameras in particular. Like all obsessions, while caught up in the mania, you don’t recognize the extent of your obsession. Then, one day, for whatever reason, you wake to the reality – you’ve got way too many of the things you supposedly value, the very excess of which serves to devalue the enjoyment you get from any given item.
Nietzsche said that “the mother of excess is not joy but joylessness” [Yes, I just quoted Nietzsche in a Leica blog]. Human nature is a funny thing; the more we grasp at happiness through external things, the more it eludes us, because ultimately happiness is internal, found in your relationship to things to the extent it involves ‘things’ at all. Whatever it is, it isn’t found in things. All of which is a peculiar line of thought for a blog dedicated to the admiration, use and enjoyment of mechanical Leica film cameras, but it needs to be said as a necessary corrective to the easy enough mistake of seeking happiness quantitatively.
I’ve recently published short pieces by a number of readers who’ve written to share their experiences migrating back to film use after a certain disillusionment with their digital experience. A common thread running through all of their stories is the satisfaction they’ve taken in a simple Leica outfit – one beat up user body and a lens. I’m especially struck with Tadeas Plachy’s story of the joy he’s given by his M2 and a few cheap Russian lenses. He’s discovered something we enthusiasts often forget. There’s an immense pleasure, a liberation from the constant cycle of upgrades and add-ons, in stripping down the photographic experience to its essentials, something a mechanical film Leica does to perfection. Ironically then, you can argue that what makes a film Leica an object of enduring appeal – its essential simplicity – militates against the wishfulness of idiots like me, who’ve mistakenly thought that the pleasure given the photographic act by a simple Leica mechanical camera could be multiplied by having more of them.
All of which is a long-winded way of saying I’m selling more cameras. And I’ve decided to do it here on ‘my’ blog – because, well, I can – so bear with me. I will note to you that you won’t find advertising here – now or never – even though, given the amount of hits it currently gets (over 2 million views a year) I could probably make a few bucks off it. But I’m not interested in monetizing a labour of love, the result being that you’re just going to have to deal with me hawking a few cameras every now and then.
That all being said, the items I’m selling all are as described and will make their new owners very happy, insofar as one may be made happy by a thing.
You may contact me at Leicaphilia@gmail.com for further info on any of the items below.
Leicaflex SL #1283379 Black Chrome, Good User Condition $225 shipped SOLD
Everything works just fine, including meter. Viewfinder bright with no issues. Shutter sounds very strong with speeds accurate down to 1 second. Cosmetically, not beat up at all; no dents or wonkiness. Just normal usage marks.
5cm Nikkor-S 1.4 #405084 with Amedeo Adaptor for use on Leica M Mount $525 shipped SOLD
An excellent condition Nikkor-S rangefinder lens, circa 63-64?, black barrel with chrome bezel, its 40xxxx serial number puts it among the last regular black barrel 1.4’s produced for the S3 and S4 models. This particular lens is in great condition. Glass is free from scratches, fungus or haze. Blades are free of oil. No dents or major paint loss in the lens body. Aperture adjustment is snappy.
Accompanying it is an Amedeo Adaptor that allows you to mount and use this on an M body. These adaptors are works of art; beautifully machined and finished, they feel appropriately over-engineered for use with a mechanical Leica M. New, they sell for $270, and once you use one you’ll agree they’re worth it, allowing you to use the entire range of 50mm Nikkor 1.4 S Mount rangefinder lenses on your M with rangefinder coupling.
Nikon F Plain Prism #6759251 with Nikkor SC 50mm 1.4, Very Good User Condition $350 shipped SOLD
A plain prism Nikon F is the closest thing you’ll find to a 60’s era Leica M, both in its functionality and its aesthetic beauty. To my mind, were I to have one camera to take to a desert isle, it would be a plain prism F with a 50mm Nikkor. Simply bulletproof. One of the 3 or 4 truly iconic 35mm cameras of the 20th century.
This particular F works perfectly and is an excellent example of the model. (I’m only selling it because I’ve committed myself to having only one F body, and will never sell my collector’s quality Black Paint F with 50mm F2, both of which are new, never used, perfect). Shutter is strong and accurate down to 1 second. Prism is bright; no fungus, haze or separation. Shutter curtain in unwrinkled and unmarked. Interior is clean and looks sparingly used. Exterior body shows light wear, mainly being bright marks on the top-plate and prism. There are no dings, dents, or heavy scratches on the body.
The Nikkor S.C. 50mm f1.4 is also in excellent condition. Glass is clean. No scratching, haze or fungus, no separation. No noticable internal dust. Focus smooth, apertures click nicely. All in all, a really good example of a 60’s Nikon F era fast Nikon standard lens.