I love the M5. I have two of them, black and chrome. It’s the camera I cut my teeth on, photographically, all those years ago. Most leicaphiles dismiss it as a stylistic wrong turn. I disagree. The M5 has a beauty all its own. Personally, I prefer the look of the chrome M5, as the chrome compliments the “boxy” styling.
I also love this photo because of its unmistakable film aesthetic: the grain, the tonality, the character. (Tri-X and HC110 and a Nikkor HC 50mm). Film responds differently to light than does a digital sensor. Sensors have a flat linear response to light. Film has a curved response, typically in a S curve, whereby both ends of the curve, the shadows and highlights, tend to be richer in tonal value than digital. Its these differences that give the unique look to both.
With the maturation of digital capture, the question of film vs digital resolution really doesn’t make sense anymore. Film and digital are two completely different media. Each has it’s strengths and limitations. Digital files can’t be made to look like this, even with extensive tweaking in Silver Efex or other programs that attempt to replicate the film look.
And certainly, no digital camera has the feel of a mechanical Leica. There’s a tactile quality to mechanical film cameras that simply has not, and cannot, be duplicated with digital.
Call me a Luddite.