Tag Archives: Leica M-A

Leica Introduces An All New Film Camera, The Leica M-A



Kudos to Leica. They’ve introduced a new film camera – the Leica M-A. The M-A is identical to the still available Leica MP but has no meter, needs no battery, and contains no electronics. Think of it as an ‘updated’ M4. The M-A isn’t completely new: In typical Leica fashion, Wetzlar offered a ridiculously overpriced stainless steel collector’s edition of the Leica M-A, the Leica M Edition 100this past Spring.

The M-A will be available in black chrome (yes, no retro “black paint” version) or silver chrome from Leica dealers starting October 2014. The price in Germany is 3,850 €, international prices will be announced later.

My only quibble is the knurled rewind, which has always been a PITA. I would have preferred the much more efficient rewind found on the M4, M6 and M7, a small quibble indeed in light of the fact that a camera manufacturer sees the continued viability of analogy photography and is actually committed to producing new cameras to meet the demand.

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From Leica:

With the Leica M-System, Leica Camera AG, Wetzlar, is one of the few manufacturers still producing both analogue and digital cameras. In this, the company can draw from decades of experience in the construction of the finest precision-engineered cameras. Now – 60 years after the first Leica M rangefinder camera, the M3, left the factory to significantly change the world of photography – we have chosen the occasion of this anniversary to present a new analogue model: the Leica M-A.

As a purely mechanical rangefinder camera, the Leica M-A stands for a return to photography in its most original form. Without reliance on a monitor, exposure metering or batteries, photographers can explore entirely new creative horizons. Because, with a camera reduced to only essential camera functions, users of the M-A can now concentrate entirely on the essential parameters of subject composition – namely focal length, aperture and shutter speed – and on capturing the decisive moment.


From its shutter-speed dial and the aperture ring on the lens to the characteristic rangefinder focusing principle – the technical specifications of the Leica M-A are essentially based on the currently available analogue Leica MP. All of its precision-engineered components and functions are designed and constructed for absolute robustness and a long working life, and are housed in a painstakingly hand-built metal body. This ensures that the Leica M-A, as a product with particularly enduring value, brushes aside every challenge with absolute dependability.

The visible elements of the Leica M-A are as timeless as the precision-engineered principles employed inside it. For example, the Leica red dot was omitted to emphasise the classical simplicity of its design. Seen from the side, the Leica M-A is significantly slimmer than its digital counterparts.

The camera can be supplied in a choice of two different finishes: the classic appearance of the silver chrome version carries forward the traditions of 60 years of Leica M design. In the black chrome alternative, the M-A is reminiscent of the style of the M Monochrom and sets new standards in unobtrusiveness and discretion. While the silver chrome version of the M-A displays its origins in the engraving on its top plate, only much closer scrutiny of its completely matt black counterpart reveals the discreetly engraved Leica script on its accessory shoe.


Each Leica M-A is supplied complete with Kodak Tri-X 400 black-and-white film, which is also celebrating its 60th anniversary this year. Since its appearance on the market in 1954, its unmistakeable look, exceptional sharpness and tonal gradation, extremely broad exposure latitude and very good shadow detail made this black-and-white film a firm favourite and the classic medium for art and reportage photography.

The Leica M-A will be available from authorized Leica dealers starting October 2014.

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Need a Watch With That Leica M-A?

Valbray-Leica-watch-cameraValbray, a Swiss watch maker, has been producing a very interesting timepiece for several years now, and for 2014 has released a limited edition “EL1 Chronograph” model in collaboration with the famed German high-end camera maker Leica. The core concept of Valbray is to have in iris-style shutter on the dial that the wearer and open and close at will, by twisting the bezel. What does this do? It offers people who own Valbray watches the opportunity to fundamentally change the look of their watch dial. Valbray watches can go from having a totally open dial, exposing the chronograph mechanisms on the lower face, or the shutter can completely close, offering a more minimalistic look–and everything in between.           

Price for the Leica Valbray EL1 Chronograph watch is 17,999 Euros each ($24,700). Read more here…


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New All Mechanical Film M Released – The Leica MA


[POSTSCRIPT: on 9/16, 2014 Leica introduced a regular edition M-A (i.e. not made of Stainless or produced as a limited edition. You can read more about it here.]

The Leica M-A, fully mechanical, no meter. Announced 5/22/2014.

It’s beautiful, evidence that the M profile is timeless. I much prefer its look to the fattened contours of the digital M’s.

Unfortunately, to get it, you also have to buy a digital momochrom and three lenses as a kit. According to Leica:

As the first Leica special edition of its kind, the LEICA EDITION 100 brings together a purely mechanical rangefinder camera for film photography – the LEICA M-A – with a digital Leica M (LEICA M MONOCHROM) in one set. The combination of these two cameras is unique. Its symbolic character as an homage to the beginnings of Leica 35 mm photography and, in particular, to black-and-white photography makes the centennial edition truly special. This applies, above all, to its high-quality construction and finish: for the first time ever, both Leica cameras and the lenses in this set are made from solid stainless steel.


Both cameras stand as symbols for the origins of Leica photography and the present day. The Leica M-A, with technical specifications based on the currently available Leica MP film camera, is a direct descendent of the Ur-Leica. Alternatively, the second camera, a Leica M Monochrom, is the contemporary variation of the theme composed a century ago by Oskar Barnack.

The set also includes three Sumilux Lenses with focal lengths of 28, 35 and 50 mm. Renowned for their combination of extremely compact size, speed and exceptional imaging quality, they ideally reflect the characteristic performance criteria with which Leica lenses contributed to the establishment of the brand as a legend. It also includes Kodak TRI-X 400 black-and-white film for use with the M-A. This film is considered a classic in the genres of art photography and reportage and is still renowned and extremely popular for its unmistakable look in prints.

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So, congratulations, Leica, for further feeding my love/hate relationship with you. In 2014, you offer an exquisitely beautiful mechanical film camera that harkens back to your classic M3 and MP (LOVE), and then you bundle it with 3 ultra-exclusive lenses and a limited edition digital, the whole set probably costing as much as my house (HATE) that will be snapped up by a select few of the beautiful people and set on a shelf somewhere.  Oh, and when I buy the set you’ll throw in some Tri-X for good measure (what, no D-76 in an individually numbered platinum beaker with engraved Leica logo?).

Meanwhile, I’ll keep happily snapping with my beater M2 and $2.79 roll of Arista Premium.



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