OK, I’ve seen my share of camera bargains. They include an early Nikon One which sold for $12.50 at a yard sale (one of 4 cameras sold for a total of $75), another Nikon One advertised recently on Craig’s list for $375, an unsynced Nikon M four lens outfit thrown away in the trash, and an original chrome Leica MP outfit also thrown away in the trash.
Well, this beats them all hands down and comes from a retired New York City police photographer whose word I trust completely. He writes:
“Back in July 2002, I was leaving my apartment and across the street where my police car was parked a young couple was having a yard sale to help fund their wedding.
I noticed a Black and Tan Nikon duffel bag on the ground near a small table.
I walk over, and they greeted me as their neighbor but didn’t know my name. When I went to pick up the duffle bag, I noticed on the table:
•2 original Black Leica MP’s both with matching black paint Summicron 50/2
•Leica 72 Half Frame Camera
• 2 Black 50/1.2 and 1 Chrome 50/1.2 Noctilux lenses
• a 250 Reporter GG
• 3 Black Paint M3’s with Leicavits and a bunch of other stuff.
They had small round adhesive stickers on everything. The MP’s were selling for $15 each, lenses $10, etc. I added everything up on the table and if I bought everything, it would’ve cost me $115. The young man said:
“If You take everything, just give me $100 even and the bag is on me.
I asked them to give me some history behind those cameras and lenses and the young lady said:
“It was my Dad’s Stuff. He passed away a few years ago. These can look pretty as decor if you’re into photography. No one here is really into it, besides the fact they probably don’t make film for them anymore.”
The Young Man chimed in an said:
“I don’t even know where the film goes”
I requested of the young lady:
“Would you mind fetching me a bed sheet or table cloth if you don’t mind”
“I want to cover this table while I give my broker a chance to drive up from the city because you probably have between $300,000-$500,000 worth of vintage German Camera equipment and I will stay here with you until he arrives”
The young lady had her hand over her mouth, and about 30 seconds later both of them broke down in tears.
When my photography broker arrived and did his thing, he said:
“You’re a much better man than me because I would’ve walked off with everything…But it’s pretty cool, I suppose it was the right thing to do”
“It wasn’t the right thing to do…it was the Human thing to do”
This was a young suburban couple struggling to start a life together. I didn’t even contemplate “Should I or Shouldn’t I”…
They were a young and innocent couple who didn’t know any better. I look at it from a standpoint that I wouldn’t want that done to me.”
A great yarn, no doubt, but could it possibly be true? I guess it could, but I’m betting against it. In any event, if you believe it, I’ve got a bridge I might be willing to part with on very favorable terms.
We’ve all heard the stories over the years – the Leica MP with Leicavit turning up in a dead uncle’s closet, the black paint Nikon SP on craigslist for $15, the guy who buys a black paint M3 at a yard sale in New Jersey along with all the appropriate documents attesting to its authenticity. I suppose these could really have happened just like the story says, but, knowing human nature, I suspect the stories have morphed from an initial kernel of curious truth to the status of “fish story.” [It’s not like I’m not susceptible to the phenomenon – My story of “meeting” HCB does have a kernel of truth: in 2004 I saw him at the opening of a Sarah Moon show in Paris. Of course, as I am apt to tell the story now after a bourbon or two, HCB and Sarah Moon came to my Paris exhibition and then we all went out for coffee afterwards.]
And it’s not like there aren’t some incredible finds out there if you get lucky. Probably 20 years ago a friend casually mentioned to me that he had a box in his closet filled with old junk cameras from his uncle. I asked him to get it out and show it to me. Upon opening the box I found an M2, an M3, a LTM Nicca, and 4 or 5 Leitz lenses, including a Canadian 35mm Summicron and a Super Angulon with finder. Being the good guy I am, I fought off the urge to offer him $25 for the lot and helped him clean everything up and sell it on Ebay, netting him a cool few thousand bucks and me a free M2 for my labors. And then there’s been an item or two bought from ignorant sellers in arms length transactions that have netted some seriously nice kit for bargain prices – a IIIg with a W-Nikkor 35mm 1.8 LTM lens I bought for a few hundred and then turned around and sold for $2500 ($1900 for the Nikkor, $600 for the IIIg); a IIIg with pristine collapsible Summicron for a few hundred, etc.
But there’s something about the reported event that doesn’t pass the smell test. First, how is it that the “Dad” just happens to accumulate an incredible amount of rare, collectible stuff, it and it only? You’d think there’d have to be a few pedestrian items too, a Canonet or a Minolta SRT-101 in there somewhere. Three Noctilux? Really? And think of it this way – if “Dad” really was as important a guy as his camera collection indicates, don’t you think his kids might have some sense that what he had was valuable? But the kicker for me, the “tell” as it were, is in the inconsequential details (isn’t it always?): “they probably don’t make film for them anymore….” Sounds like a reasonsble thing for a clueless kid raised in digital to say in 2016, but in 2002? In 2002 film cameras were normal; it was digital that was esoteric.
So, In spite of my sense that the original poster honestly believes the story, I’m calling BS. It is, however, a lovely fish story.
Oh, and did I ever tell you about the time HCB and Sarah Moon came to my show in Paris?