Tag Archives: Michael Rowe

Leica M10 – Not a Love Letter

By Michael Rowe. Michael is a Melbourne photographer who teaches to pay the bills. He is currently pursuing his PhD in crowdsourcing [ Editor’s Note: I wasn’t aware you could get a PhD in crowdsourcing. Shows what I know. In any event, I really like his photos]. His images can be found at http://rowefoto.tumblr.com

I love the idea of the M10, and I think I can afford one. As an M9P shooter, unbridled high ISO performance is my dream. The camera as object is sexy as hell. It’s an amazing thing.

But I don’t think I’ll get one.

I shoot mostly at base ISO (160), partly because the images at base are sublime, partly because in the days of film I never went above 400 and mostly shot 125. Pretty much every photo that’s inspired me was shot on film – Tri X or Plus X or their modern equivalents.

I started shooting Leica because I wanted an authentic experience, something more than the usual fare could give me, cameras that took the decisions away from me. Too clinical in their perfection. Where’s the challenge? Leica put control and boundaries in front of me. If I wanted a result I needed to push those boundaries.

After 5 years of shooting an M I focus quickly now, can predict exposures accurately, can coax good results from slow shutter speeds and razor thin DOF in low light. Those things give me a satisfaction that other systems can’t provide. I recently changed the way I hold my hand when I focus…and my hit rate went up. I’m still learning, refining, enjoying. Low ISO is a constraint that forces hard choices. It hones my skills. 

A camera that can shoot clean up to 25,000 ISO seems overkill. I’ve bitched about not being able to get ideal shots in low light wide open as much as everyone, and I appreciate the need for a company like Leica to move with the times. But having that latitude in the sensor, while giving me a certain freedom, removes one of the key shapers of my creative work. It removes another source of imperfection, one of the three delicious trade-offs that need to be balanced when selecting exposure.

Mine is a personal perspective, and there are plenty of arguments to the contrary. Why be a stickler? My iPhone 7 makes lovely images – so long as you don’t look at them too closely. Wouldn’t it be great to have true creative flexibility, more choices, better quality images? Yes, I suppose so. But not at the expense of the craft. YMMV.

Joel Meyerowitz’ induction into the Leica Hall of fame coincided with the launch of the M10. Joel, holding the new camera, was everywhere. And why wouldn’t he be. Except for the inescapable fact that every single notable image he had taken, his entire body of work, were shot with outdated, “inferior”cameras. His genius was to do what he did with what he had. Good enough for Joel, good enough for me.

As much as it pains me to say it – not this time, Leica. Let’s see how long I can maintain my resolve…

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