Buddy, Donna and Abby, Carolina Beach, Summer 2020
Stuck as I am at home, a function of Covid and Chemo, I’ve been reading a mind-numbing amount of internet arguments re: film vs. digital. Everyone has an opinion. I certainly do; much of this blog for the last 7 years has been dedicated to flogging that opinion at every available opportunity. My take: yes, there’s a ‘film look’ that differs from digital, and it’s ‘better.’ Film has an unmistakable heft to it, a solidity, that digital capture is incapable of reproducing however much you run the file through whatever emulation software you prefer. It has to do with 1) the non-linear vs. linear capture of film v. digital; 2) the organic grain structure of film and its function in capturing the image v. ‘grain’ superficially overlaid after the capture; and 3), to a lesser extent, the more “classic” rendition of film era optics v. the clinical perfection of highly corrected digital era optics. Or so we say.
FILM :Me, Jorge and Florence, Van Gogh House, Auvers sur Oise, 2014 Contax G2, HP5, D76
DIGITAL: Me in My Paris Flat, 2003, Nikon D2
So, I was thinking of all these issues as I printed the photo of my wife and the mutts above. Take my word for it – it’s a technically stunning print, wet or digital, a perfect B&W print…or at least I think so. (You can right-click on any of the three images here and ask that it be viewed in a new window..and it will bring up a higher resolution image that you can pixel-peep). Hopefully, the scan of it above gives ‘some’ sense of it as a print. Of course, given we are, by definition, debating this via a digital medium makes the whole issue suspect to begin with. But, as you know, half the fun is in debating these insoluble issues and holding firm opinions on them. So, putting that aside for a moment, and given that almost all photography is viewed digitally these days…can you tell whether this is film or digital capture? And if not, what are we arguing about anymore?
You have two options:
- It’s taken with a Leica M5, 25mm f4 Voigtlander, yellow filter, (expired) Ilford Pan-F rated at 50 ISO and developed in D76, scanned with a Plustek 7400, marginal contrast post-processing in Lightroom, output sharpening (low); or
- It’s taken with a Sigma sd Quattro, Sigma DC 17-50 2.8 EX HSM, effective focal length 25mm, ISO 125 DNG file pre-sharpened in Nik Sharpener, processed in Silver Efex Pro as a Pan-F emulation.
Can you tell the difference? Can you articulate why? What, if anything, gives it away? I’d love to hear your thoughts.