I’ll admit I don’t like the red dot. It’s tacky. When Leica was Leica, there was no red dot. I’m proud to say that, when I bought my first Leica, there was no such thing as a red dot. The red dot is post- Leica M5, the M5 being both the best and worst thing Leitz ever did. Best, because it’s the last and best version of a hand-assembled M, incorporating everything Leitz had learned about interchangeable lens rangefinder cameras up to that point and, in spite of what its detractors claim (invariably they’ve never used the M5), its a better, more complete camera than the film M’s – M4-2, M4-P, M6, M7 – that came after it, which were essentially retrenchments to a fixed formula. Worst, because Leitz confused a marketing failure with a technical failure and returned to the meterless M4 in M4-2 and M4-P versions, both of which signaled Leitz’s transition from producing professional cameras to models aimed at the consumer market. Hence, Leica’s slow inexorable slide into professional irrelevancy and the rise of internet-era clowns claiming the title “Leica Photographer.”
That’s One Ugly-Ass Red Dot IMHO
The ‘Leitz’ red dot goes back to the company’s Binocular and Microscope divisions, which
used the dot on their products for many years before someone decided to impale it on the hapless R3 and M4-P. Binoculars from the mid/late 60s have a rarer black ‘Leitz’ dot. As best I can tell, the Leitz red dot first appeared on the 50th Anniversary Leicaflex SL2 in 75 followed by the1976 R3. As for the M’s, it’s first seen on a preliminary 1977 run of a few hundred M4-2, and then into full production of the M4-P, which is, with its numerous top plate markings and huge Leitz red dot, the ugliest Leica M ever, although you can get rid of the red dot easily by replacing the vulcanite. Revisionist history aside, for late 70’s – early 80’s Leicaphiles, the red dot coincided with the end of the most desired models (M3, M2, M4, and M5) and represented a perceived decline in the quality for which Leicas had theretofore been known.
- 1980 black M4-P red dot
- 1983 chrome M4-P red dot
- 1987 R5, red dot moved to the right side
- R6, R7,RE, R6.2 red dot on the right
- M6 (1984) Leitz red dot on top center
- R8 (1996) Leica red dot moved to the left again
- M7 (2000) Leica red dot on top center
Leica’s final film camera, the MP (2003), thankfully did away with the red dot, although it’s been resurrected with the digital M’s and all the other assorted digital models they’ve produced. Why, I don’t know.
Leica has learned to monetize the red dot and certain consumer’s aversion to it. Witness the M9-P upgrade, which allowed you pay $US1995 to upgrade your red dot m9 for a dotless M9-P. Granted, removal of a red dot alone didn’t cost two grand — Leica also replaced the LCD screen with sapphire glass (apparently a good thing they hadn’t bothered to use on the original M9), and threw in some new leatherette. They also got rid of the tacky M9 logo on the front plate. Gotta admit, the M9-P looks a lot better than the garden variety M9.